I will state up front that Lost City Raiders is an inverse Poppins. It’s perfectly passable in any way, but rarely rises to any noteworthy peaks until very late in its runtime. Amy’s take on it was even more blunt: “boringly adequate.”
The climate change in the backstory did not happen slowly, like a glacier in reality, but instead it happened quickly, like a glacier in a bad movie. The ice caps have melted, and the waters are rising, and rising, and rising. Miraculously so, in that every major city in the world (New York, Los Angeles, Rome, Dresden, Geneva) seems to be equally inundated, with tall buildings and hilltops peeking out from the water, and many buildings only semi-submerged. But it’s only a matter of time until the entire world is submerged!
John Kubiak runs a salvage business, along with his adopted sons. They are low on operating capital because they are running some secret salvage missions for the New Vatican. There is an attempt at a Raiders of the Lost Ark vibe as a journal leads to a dagger leads to a scroll leads to….
The action sequences are not great, but adequate. The acting is not great, but adequate. The digital matte painting FX are not great, but adequate. This movie only whelms in one direction, and it’s under.
The goal is something called the Scepter of Sobek, which Moses used to part the Red Sea when escaping from Egypt. It can control water. The Kubiaks’ competition is a rich guy who wants the Scepter because he has funded floating communities. He plans on letting the world flood, renting out his floating habitats, buying submerged land cheap, and then putting things back the way they were. Real estate fraud on the grandest terrestrial scale imaginable.
The Scepter of Sobek turns out to be a super-science thing, which has a Phillips head — not suitable for your flat-head Egyptian Scepter needs. It can manipulate the cosmic energy convergence points to move the earth’s tectonic plates. This must be true, because a geologist in a low-cut top tells us so.
Speaking of which, Amy’s hypothesis is that both women in the movie wear low-cut tops in inappropriate situations because they are solar-powered, and their solar cells are located on the rolling hills of their bosoms.
I will gloss over the denouement of the movie, which involves a treacherous priest and a millennia-old natural gas pilot light, to share with you my favorite ridiculous line of dialogue. The New Vatican warns that there will be seismic activity as our heroes sail off, but they reassure the Cardinal: “We’ve sailed quake waters before!”